JAQ CHARTIER |
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Lives and works in Seattle, WA |
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EDUCATION |
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1994
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University of Washington
Seattle, WA
MFA in Painting
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1984 | University of Massachusetts Amherst, MA BFA in Painting |
1980-81 | Syracuse University Syracuse, NY |
SOLO EXHIBITIONS |
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2018 | In Solution, Dolby Chadwick Gallery, San Francisco, CA |
2016 | Hunting Color, Elizabeth Leach Gallery, Portland, OR |
2015 | A Fever in Matter, Dolby Chadwick Gallery, San Francisco, CA |
2014 | Testing, Base Gallery, Tokyo, Japan |
2013 | Ultra Marine: New Paintings & Drawings About the Sea, Elizabeth Leach Gallery, Portland, OR |
SubOptic, Platform Gallery, Seattle, WA | |
2011 | Slow Color, Morgan Lehman Gallery, New York, NY |
2010 | SuperNatural, Elizabeth Leach Gallery, Portland, OR |
2009 | Downtime, Platform Gallery, Seattle, WA |
Color Charts, Haines Gallery, San Francisco, CA | |
2008 | Full Spectrum, Elizabeth Leach, Portland, OR |
Testing, William Baczek Fine Arts, Northampton, MA | |
2007 | Color Tests, Schroeder Romero, New York, NY |
2006 | Testing, University of Michigan, Institute for the Humanities, Ann Arbor MI |
Blindsight, Platform Gallery, Seattle. WA | |
2005 | Testing, LIMN Gallery, San Francisco, CA |
Testing, Elizabeth Leach, Portland, OR | |
2004 | Testing, Schroeder Romero, Brooklyn, NY |
Testing, LIMN Gallery, San Francisco, CA | |
2003 | Testing, Schroeder Romero, Brooklyn, NA |
New Work, William Traver Gallery, Tacoma, WA | |
2002 | Testing, Frumkin/Duval, Santa Monica, CA |
Testing, LIMN Gallery, San Francisco, CA | |
Testing, Cervini Haas Gallery, Scottsdale. AZ | |
2001 | Testing, William Traver Gallery, Seattle. WA |
2000 | Testing, Cervini Haas Gallery, Scottsdale, AZ |
1998 | Testing, William Traver Gallery, Seattle. WA |
1997 | New Work, William Traver Gallery, Seattle, WA |
New Work, Laura Russo Gallery, Portland, OR | |
1996 | New Work, William Traver Gallery, Seattle, WA |
1995 | Introductions, William Traver Gallery, Seattle, WA |
GROUP EXHIBITIONS
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2018 | Making Life Visible: Art, Biology and Visualization, Faulconer Gallery, Grinnell College, IA |
Here and Now, Dolby Chadwick Gallery, San Francisco, CA | |
2017 | Dealer's Choice, Woodside/Braseth Gallery, Seattle, WA |
Artist as Subject: 20th Anniversary Celebration, Dolby Chadwick Gallery, San Francisco, CA | |
2016 | Pairings: 16 Artists Creatively Combined, Sonoma Valley Museum of Art, Sonoma, CA |
The Color of Memory, Jeffrey Thomas Fine Art, Portland, OR | |
American Painting Today, the old Value Village on Capitol Hill, Seattle, WA | |
2015 | Diphthong, Fiterman Gallery at Borough of Manhattan Community College, New York, NY |
Thought Patterns, Bainbridge Island Museum of Art, Bainbridge Island, WA | |
2014 | Real Abstract, Linda Hodges Gallery, Seattle, WA |
2013 | Chamber Music, Frye Art Museum, Seattle, WA |
Materialized, Robischon Gallery, Denver, CO | |
Atmospheric Weather: Artwork from Seattle Public Utilities' Collection, Seattle Municipal Tower, Seattle, WA | |
2012 | Elles @SAM Gallery, Seattle Art Museum, Seattle, WA |
2011 | One Thing Leads to Another: process and repetition in contemporary print and drawings, San Jose Institute of Contemporary Art, San Jose, CA |
Seattle As Collector: Seattle Office of Arts & Cultural Affairs Turns 40, 40th Anniversary Exhibition at Seattle Art Museum, Seattle, WA | |
2010 | Default State Network, Morgan Lehman Gallery, New York, NY |
Expansion, Robischon Gallery, Denver, CO | |
The Power of Selection, part 3, Western Exhibitions, Chicago, IL | |
Opening Ceremony, Morgan Lehman Gallery, New York, NY | |
Non-Objective, William Baczek Gallery, Northampton, MA | |
Northwest Mid-Career Artists, Seattle Public Utilities Portable Works, Seattle Municipal Tower Gallery, Seattle, WA | |
2009 | Genipulation: Genetic Engineering and Manipulation in Contemporary Art, Centre PasqueArt, Kunsthaus Centre d'art, Biel Bienne, Switzerland |
2008 | Genesis - Die Kunst der Schopfung (The Art of Creation), Zentrum Paul Klee, Bern, Switzerland |
Does DNA Define You? Sun Valley Center for the Arts, Ketchum, ID | |
2007 | Diagnose [Art]: Contemporary Art Reflecting Medicine, Museum im Kulturspeicher, Wurzburg, Germany |
Human Nature II: Future Worlds, SoFA Gallery, Indiana University, Bloomington, IN | |
A Gathering of Friends, inaugural exhibition, Golden Foundation for the Arts Gallery, New Berlin, NY | |
Beneath the Skin, LIMN Gallery, San Francisco, CA | |
2006 | Diagnose [Art]: Contemporary Art Reflecting Medicine, Kunst-Museum Ahlen, Ahlen, Germany |
Potentially Mighty, p|m Gallery, Toronto, Canada | |
Building Tradition, Whatcom Museum of History and Art, Bellingham, WA | |
2005 | 5 Painters, Platform, Seattle, WA |
Head Over Hand: pushing the limits of paint, Denise Bibro, New York, NY | |
Neddy Artist Fellowship Exhibition, Tacoma Art Museum, Tacoma, WA | |
2003 | Portals, Urban Institute for Contemporary Arts, Grand Rapids, MI |
Components, Elizabeth Leach Gallery, Portland, OR | |
2002 | Gene(sis): Contemporary Art Explores Human Genomics, Henry Art Gallery, University of Washington, Seattle, WA |
2001 | Theory or Faith, LIMN Gallery, San Francisco, CA |
2000 | 4x4: Four Decades of School of Art Alumni, Jacob Lawrence Gallery, University of Washington, Seattle, WA |
1999 | Neddy Artist Fellowship Exhibition, Seafirst Bank Gallery, Seattle, WA |
1998 | Hands On Color, Bellevue Art Museum, Bellevue, WA |
Pattern, Elizabeth Leach Gallery, Portland, OR | |
1997 | They Came Here First! CoCA (Center on Comtemporary Art), and Bumbershoot Arts Festival, Seattle, WA |
Beeswax, SOIL Gallery, Seattle, WA | |
Drawings...A Bi-Coastal Invitational, Meyerson & Nowinski Gallery, Seattle, WA | |
1991 | The Figure: Personal Views and Collaborations, Northampton Center for the Arts, Northampton, MA |
Common Past, Recent Work, Wheeler Gallery, University of Massachusetts, Amherst, Amherst, MA | |
1990 | Viewing Ourselves, Hampden Gallery, University of Massachusetts, Amherst, Amherst, MA |
1989 | Art and Soul, Hampshire College, Amherst, MA |
ART FAIRS
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2018 | PULSE Miami, William Baczek Fine Arts, Miami, FL |
2017 | PULSE Miami, William Baczek Fine Arts, Miami, FL |
2016 | PULSE New York, William Baczek Fine Arts, New York, NY |
PULSE Miami, William Baczek Fine Arts, Miami, FL | |
AWARDS and RESIDENCIES |
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2013 | Purchase Award - Portable Works Collection, Seattle Public Utilities, Seattle, WA |
2011 | Contemporary Northwest Art Awards Finalist, Portland Art Museum, Portland, OR |
2006 | Neddy Fellowship Award nominee, Behnke Foundation, Seattle (also 2005, 1999), Seattle, WA |
2004 | Special Projects Grant, 4Culture (Cultural Development Authority of King County), Seattle, WA |
Visual Arts Grant finalist, Creative Capital Foundation, New York, NY | |
2003 | Purchase Award - Portable Works Collection, City of Seattle, Office of Arts & Cultural Affairs, Seattle, WA |
2002 | Artist Trust/Washington State Arts Commission Fellowship, Seattle, WA |
PONCHO Special Recognition Award, administered by the Betty Bowan Award Committee, Seattle Art Museum, Seattle, WA | |
Joan Mitchell Foundation Award nominee, New York, NY | |
2001 | Artist Trust GAP Grant (Grant for Artists' Projects), Seattle, WA |
Centrum Residency, Port Townsend, WA | |
COLLECTIONS
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The Allen Institute, Seattle, WA | |
Amgen | |
Chambers Hotel, New York, NY | |
Chan Zuckerberg Initiative | |
City of Seattle, Portable Works Collection, Seattle, WA | |
Microsoft | |
Oregon State University, Corvallis, Corvallis, OR | |
The Progressive Art Collection | |
Rosetta Inpharmatics (Merck), Seattle, WA | |
Charles Schwab, San Francisco, CA | |
Schwartz Art Collection, Harvard Business School, Boston, MA | |
Swedish Medical Center, Seattle, WA | |
TA Associates, Boston, MA | |
Tacoma Art Museum, Tacoma, WA | |
USAA | |
Wellington Management | |
BIBLIOGRAPHY
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2018 | Making Life Visible: Art, Biology and Visualization, exhibition catalog, Faulconer Gallery, Grinnell College, IA, pp 44, 52 |
Morris, Barbara, “Jaq Chartier @ Dolby Chadwick,” SquareCylinder.com, May 23. | |
Park, Jiyun, “Seaweed unlike you’ve ever seen it…,” LittleVillageMag.com, June 7. | |
Shick, J. Malcolm. Where Corals Lie: A Natural and Cultural History, London: Reaktion Books, p. 132–3. | |
2017 | Schmidt, Carley, “Chance and Chaos: In the Studio with Jaq Chartier,” Medium.com, August 1 |
2016 | Bright, Richard. "Drawing Thoughts," Interalia Magazine, Issue 20, January. |
2015 | Kordic, Angie. "Jaq Chartier at Dolby Chadwick Gallery," Widewalls.ch, March. |
Mendelsohn, John. "The Ghost in the Machine: Diphthong at the Fiterman," artcritical.com, Oct 5. | |
2014 | Geijutsu Shincho Magazine, July. |
ST 37, I'm Not Good, Cleopatra Records. Painting featured on album cover. | |
2013 | Harper's magazine, image reproduced in New Books section, December issue. |
Langner, Erin. "Disappearing Act: Jaq Chartier's Climate-Changing Paintings," New American Paintings (blog), September 30. | |
Speer, Richard. "Jaq Chartier: Ultra Marine," Willamette Week, May 17. | |
Weibel, Peter, and Ljiljana Fruk. "Molecular Aesthetics", MIT. | |
2012 | Beal, Suzanne. "Seattle: A Celebration of Elles," art ltd, November/December. |
2011 | artcritical: Review Panel #44 - Carrier, Diaz, and Welish with moderator David Cohen, discuss Alison Knowles at James Fuentes, Jaq Chartier at Morgan Lehman, Ivan Navarro at Paul Kasmin, and Rirkrit Tiravanija at Gavin Brown's enterprise, mp3 - 1 hr, 38 min, April 1st. |
Baker, R.C. "Best in Show:...Jaq Chartier at Morgan Lehman," The Village Voice, March 30. | |
Haber, John. "Color As Obsession," haberarts.com, March 18. | |
Heinrich, Will. "On Display: Maya Block at Thierry Goldberg Projects; Jaq Chartier at Morgan Lehman," The New York Observer, March 8. | |
"Seattle As Collector: Seattle Office of Arts & Cultural Affairs Turns 40", catalog for 40th Anniversary Exhibition at Seattle Art Museum. | |
2010 | "Studio Visit, Volume 10", juried by Steven Zevitas, Open Studio Press. |
Wilson, Stephen. Art+Science Now | |
2009 | Battenfield, Jackie. The Artist's Guide |
Battenfield, Jackie. "Reality Check Interview with Jaq Chartier," ArtistCareerGuide.com | |
"Genipulation", exhibition catalog, CentrePasqueArt, Biel Bienne, (Switzerland) | |
Hackett, Regina. "Jaq Chartier and the memento mori of a color field," Another Bouncing Ball, May 1. | |
Mattera, Joanne. "Fair and Fair Alike: Miami 2009," Joanne Mattera Art Blog, December 15. | |
Ingeborg. "Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art", Austria: Springer Wien | |
2008 | Baker, Kenneth. "Wauson remembered at Haines," San Francisco Chronicle, July 5. |
Brady, Patti. "Rethinking Acrylic", North Light Books | |
"Genesis - Die Kunst der Schopfung (The Art of Creation)", exhibition catalog, Zentrum Paul Klee, (Bern, Switzerland) | |
Speer, Richard. "Profile: Jaq Chartier", art ltd, September. | |
"Studio Visit, Volume 4", juried by Carl Belz, Open Studio Press. | |
2007 | "Human Nature", catalog for the exhibition, SoFA Gallery |
2006 | Cantu, John Carlos, "Disintegration at the core...," Ann Arbor News, February 5. |
Diagnose [Kunst], catalog for the exhibition, Kunstmuseum Ahlen, (Germany) | |
Faigin, Gary. "Jaq Chartier at Platform Gallery," artdish.com, September 23. | |
Grant, Adriana. "Ink that makes you think," Seattle Weekly, October 4. | |
Graves, Jen. "Profanity, Testing, Explosion," The Stranger, September 14. | |
Hackett, Regina. "Jaq Chartier breaks down decay...," Seattle P.I., September 8. | |
Hackett, Regina. "Serial in Seattle," Visual Codec, March. | |
Scott, Carrie E.A., "State of the Art," Seattle Magazine, June. | |
Neddy Artist Fellowship, catalog for the exhibition, Tacoma Art Museum, Tacoma, WA. | |
'Testing' by Jaq Chartier, catalog for the exhibition, Institute for the Humanities, University of Michigan, Ann Arbor. | |
2005 | Engelson, Andrew. "Visual Arts Pick: Five Painters," Seattle Weekly, July 13. |
Kangas, Matthew. "Abstraction and revelations," Seattle Times, July 8. | |
Koplos, Janet. "Report from Seattle: Plugged In and Caffeinated", Art in America, September. | |
Neddy Artist Fellowship, catalog for exhibition, Tacoma Art Museum, Tacoma, WA. | |
"New American Paintings. Vol. 61". Pacific West Coast edition. Open Studios Press. | |
Perry, Vicky. "Abstract Painting Concepts and Techniques," Watson-Guptill | |
Kunst aus dem Labor: Zum Verhltnis von Kunst und Wissenschaft im Zeitalter der Technoscience. (Germany) | |
Austria: Springer WienNewYork. Reproductions on book cover and pp. 225-229. | |
Wiggin, Ashley. 'The Art of Science", Seattle Magazine, May, 2004, p. 30, (reproduction). | |
2004 | Berry, Colin. "Jaq Chartier and Elizabeth Scheidl at LIMN Gallery," Artweek, June, pp. 12-13, (reproduction). |
Baker, Kenneth, "Art grapples with science and politics," San Francisco Chronicle, 3/27/04, p. E-1, (reproduction). | |
Jaq Chartier, Testing. Seattle: Marquand Books | |
Maine, Stephen, "Dateline Brooklyn," Artnet.com, 9/30/04, (reproduction). | |
Pepper, Keane A. "The October Art Crawl," FREEwilliamsburg.com, October. | |
Shaviro, Steven, "Genetic Disorder," Artforum, Januray, 2004, p. 42, (reproduction). | |
Stillman, Nick, "Jaq Chartier: Sun Tests at Schroeder Romero," MinusSpace.com, November, (reproductions). | |
2003 | Bullis, Douglas. 100 Artists of the West Coast. Atglen, PA.: Schiffer Books, pp. 172-173. |
Conner, Jill. "Jaq Chartier: Testing," Contemporary, issue 53/54, p. 117-118, (reproduction). | |
Lovejoy, Bess. "Weird Science: Art and Chemistry Collide in the Lab of Jaq Chartier," Resonance, issue #38, p. 32-33, (reproductions). | |
Pepper, Keane A. "The April Crawl," FREEwilliamsburg.com, April, 2003. | |
2002 | DeVuono, Frances. " 'Gene(sis)' at the Henry Art Gallery," Artweek, July/Aug 2002, p. 22. |
Engelson, Andrew. ?Dot Matrix: Jaq Chartier smears the line between art and science with her DNA-inspired blobs," Seattle Weekly, 3/28/02, p. 63, (reproduction). | |
Failing, Patricia. "Seizing the Moment," ARTnews, march, jp. 76. | |
Hackett, Regina. "Messing with Mother Nature," Seattle P-I, April 6, p. E-1. | |
Hall, Emily. "Haunted Houses," The Stranger, April 4, p. 30. | |
Religion & Ethics NewsWeekly. Bioethics and the Book of Life. New York: Thirteen/WNET. Reproduction on video box and booklet covers. | |
Roth, Charlene. "Jaq Chartier and Amy Ellingson at Frumkin/Duval Gallery," Artweek, March, 2002, p. 17-18, (reproduction). | |
Staiger, Alex. "At the Crossroads where Science and Art Meet," Art Access, May, pp. 10-11., (reproduction). | |
Uehling, Mark D. "Designer Genes on Display," bio-itworld.com, 6/2/02. | |
Welles, Elenore. "Amy Ellingson and Jaq Chartier," ArtScene (preview), January, 2002, p. 12-13, (reproduction). | |
2001 | Cullum, Jerry. "Seductive changes," Atlanta Journal-Constitution, 12/28/01. |
New American Paintings, Vol. 31, Pacific West Coast edition. Needham Heights, MA: Open Studio Press. (also 1997, Vol. 13) | |
Westbrook, Lindsey. "Theory or Faith," San Francisco Bay Guardian, 8/15/01. | |
1998 | Farr, Sheila. "Hands on Color at BAM...," Seattle Times, 11/17/98, p. E1. |
Hackett, Regina. "Color hits the big time...," Seattle P-I, 11/27/98. | |
McTaggart, Tom. "Leaving a paper trail," Seattle Weekly, 8/20/98, p. 32, (reproduction). | |
1997 | Burkman, Greg. "Digging in Deeper," Art Access (Seattle), 3/97. |
Farr, Sheila. "Drawing on inspiration," Seattle Weekly, 7/16/97, p.33. | |
Knode, Marilu. "Dehesive," Aorta (Seattle), Summer-1997, p. 14. | |
McTaggart, Tom. "Biology Lessons," The Stranger (Seattle), 5/22/97, p. 56, (reproduction). | |
Smith, Cary. "Intergalactic Interpretations," News Tribune (Seattle), 7/6/97, p. F1. | |
Walker, Emily. "Loving the Aliens: UFO Art," The Daily of the Univ. of Washington, 6/2/97, p. 8. | |
1995 | Foo Fighters, Capitol Records/Roswell Records. Reproduction on CD booklet, record album cover, and cassette J-card. |