JOHN ROY | |
1930-2001
| |
EDUCATION | |
1957 |
Yale University School of Art and Design New Haven, CT BFA, MFA, Studied with Josef Albers |
SOLO EXHIBITIONS | |
2011 |
Annual Still Life Exhibition, William Baczek Fine Arts, Northampton, MA |
1999 |
John Roy: Paintings, Museum of Fine Arts, Springfield, MA |
1993 |
Paintings, Zone Art Center, Springfield, MA |
1989 |
Paintings, Herter Gallery, University of Massachusetts |
1982 |
Paintings and Drawings, Louis K. Meisel Gallery, New York, NY |
1980 |
Works From Artist*Research*Technology, Rose Art Museum, Brandeis University, Waltham, MA |
1978 |
Synthesized Photographs, Offset Prints, George Walter Vincent Smith Art Museum, Springfield, MA |
1976 |
Synthesized Photographs, Louis K. Meisel Gallery, New York, NY |
1971 |
Electronic Light Sculpture: Sundance, Howard Wise Gallery, New York, NY |
1970 |
Electronic Light Sculpture: Quartet, Howard Wise Gallery, New York, NY |
1967 |
Paintings and Drawings, Eleanor Rigelhaupt Gallery, Boston, MA |
SELECTED GROUP EXHIBITIONS | |
Jacksonville Museum, Jacksonville, FL | |
Rose Art Museum, Brandeis University, Waltham, MA | |
International Computer Art Exhibition, Montreal, Canada | |
Decordova Museum, Lincoln, MA | |
Roland Gibson Foundation | |
New Jersey State Museum, Trenton, NJ | |
Mount Holyoke College Art Museum, South Hadley, MA | |
Pratt Graphics Center, Brooklyn, NY | |
Hampshire College Gallery, Amherst, MA | |
Herter Gallery, UMASS, Amherst, MA | |
Aichi University Museum of Art and Architecture, Tokyo, Japan | |
Nikon University College of Art, Tokyo, Japan | |
Ralph Wilson Gallery, Lehigh University, Bethlehem, PA | |
Fischer Fine Arts, London, England | |
Temple University Abroad, Rome, Italy | |
Howard Wise Gallery, New York | |
Louis K. Meisel Gallery, New York | |
William Baczek Fine Arts, Northampton, MA | |
AWARDS and
RESIDENCIES | |
Louis Comfort Tiffany Foundation | |
Ford Foundation Grant | |
New York Foundation for the Arts | |
Artists*Research*Technology | |
Numerous Faculty Research Grants, University of Massachusetts | |
Calcomp Corporation, Anaheim, CA (Industrial Grant for Computer Aided Design Research) | |
COLLECTIONS | |
Museum of Modern Art, New York, NY | |
Worcester Art Museum, Worcester, MA | |
Rose Art Museum, Brandeis University, Waltham, MA | |
Chase Manhattan Bank, New York, NY | |
University of Massachusetts, Amherst, MA | |
Bucknell University, Lewisburg, PA | |
Silvermine Artist's Guild, Norwalk, CT | |
J. Patrick Lannon Foundation, West Palm Beach, FL | |
SUNY at Potsdam, NY | |
Lane Foundation, Leominster, MA | |
Roland Gibson Foundation, Manchester, NH | |
Museum of Fine Arts, Springfield, MA | |
Mount Holyoke College Art Museum, South Hadley, MA | |
Hollywood Art Museum, Hollywood, FL | |
Davison Art Museum, Wesleyan University, Middletown, CT | |
Aichi University of Art and Architecture, Nagoya, Japan | |
Nikon University College of Art, Tokyo, Japan | |
Lehigh University, Bethlehem, PA | |
University of Louisville, Louisville, KY | |
Mr. and Mrs. Howard Wise, New York, Mr. and Mrs. Louis K. Meisel, NY | |
COMMISSIONS | |
1974 |
SDS Corporation, Montreal, Canada, 10th Anniversary Portfolio of Computer Graphics |
1972 |
Westinghouse Corporate Design Center, Pittsburgh, PA. |
Design and execution of computerized program for a 60' x 20', kinetic advertising sign constructed in Long Island City, NY | |
1969 |
Light Sculpture, Howard Wise Gallery, NY |
1963 |
Sequence Sometimes Metaphysical, Stonewall Press, Iowa City, 14 wood engravings for Theodore Roethke poetry (This book received the American Institute of Graphic Artists Fifty Best Books of the Year award.) |
1958 |
Ahavath Achim Congregation, Atlanta, GA; 11' x 9' wood relief for Ark Doors |
BIBLIOGRAPHY | |
1984 |
Rousseau, Irene. "Offset Technology as a Fine Arts Medium", Arts Magazine, March. |
1983 |
"Art and Technology: Offset Prints", Lehigh University, September (catalog). |
1982 | Smith, Patricia. "Offset As a Printmaking Medium", Print News, March/April. |
Yard, Sally. "John Roy's Recent Paintings", Arts Magazine, February. | |
1980 |
Taylor, Robert. "Provocative Examples of Offset Lithography", The Boston Globe, November 23. |
"A Sense of Place, The American Landscape in Recent Art", February (catalog). | |
1979 |
Henning, Robert. "Artists*Research*Technology", Print Preview, Fall. |
Frazier, Nancy. "Fine Art Technology: Is The World Ready for This?" Hampshire Life, September 1. | |
"Exploring the Potentials of Offset Lithography", Print News, June/July. | |
1978 |
Yard, Sally. "John Roy: The Counterpoint of Continuity and Change", George Walter Vincent Smith Museum, July (catalog). |
1977 |
"Offset Prints", Mount Holyoke College Art Museum, November. |
Davies, Hugh. "John Roy", Arts Magazine, January. | |
1976 |
Perreault, John. "Roy's Cows, Food For Thought", SOHO News, December 30. |
1974 |
"Le Musee Cybernethique", Ateliers, May. |
1973 |
"Programmed Light Sculpture Adds to New York Skyline", Westinghouse Engineer, May. |
Taylor, Robert. "DeCordova Trips the Light Fantastic", The Boston Globe, February 18. | |
1972 |
"Responsive Environment, As Metaphor, As Myth, As Magic", New Jersey State Museum, September (catalog). |
1967 |
Driscoll Jr., Edgar. "Figurative Is Black", The Boston Globe, June 14, |