MICHAEL ABRAMS
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| Lives and works in Vermont
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SOLO EXHIBITIONS |
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| 2013 | A Gathered Calm, Sears Peyton Gallery, New York, NY |
| 2011 | Emily Amy Gallery, Atlanta, GA |
| 2010 | Return to Nature, Emily Amy Gallery, Atlanta, GA |
| 2009 | Old and Lost Rivers, Sears Peyton Gallery, New York, NY |
| 2007 | American Eden, Sears Peyton Gallery, New York, NY |
| 2004 | Sears Peyton Gallery, New York, NY |
| 2000 | Sears Peyton Gallery, New York, NY |
| 1997 | The Golden Hour, Radix Gallery, New York, NY |
| 1995 | The Elusive Terrain, K & E Gallery, New York, NY |
| 1990 | Trabia-MacAfee Gallery, New York, NY |
| Seibu, Tokyo, Japan | |
| 1989 | Trabia-MacAfee Gallery, New York, NY |
| 1986 | M-13 Gallery, New York, NY |
| 1985 | Mythologies, Wolff Gallery, New York, NY |
| 1979 | Amot Art Museum, Elmira, NY |
GROUP EXHIBITIONS
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| 2018 | 2018 Landscape Exhibition, William Baczek Fine Arts, Northampton, MA |
| 2017 | At a Languorous Pace, Sears Peyton Gallery, New York, NY |
| 2016 | Luscious, Brattleboro Museum and Art Center, Brattleboro, VT |
| Chromatic, Southern Vermont Art Center, Manchester, VT | |
| Yester House Galleries, Southern Vermont Arts Center, Manchester, VT | |
| 2013 | Cool and Collected, Columbia Museum of Art, Columbia, SC |
| 2012 | Float, Sears Peyton Gallery, New York, NY |
| Lay of the Land, Karan Ruhlen Gallery, Santa Fe, NM | |
| 2011 | Land, Sea, Sky, Beth Urdang Gallery, Santa Fe, NM |
| 2010 | The Luscious Landscape, Beth Urdang Gallery, Boston, MA |
| 2004 | Laura Erlich Gallery, Marblehead, MA |
| 2002 | Sears Peyton Gallery, New York, NY |
| 1997 | One Twentieth of an Acre, Gallery A, Chicago, IL |
| 1995 | Pulp Fictions: Works on Paper, Gallery A, Chicago, IL |
| The Nature of Landscape, The Gallery at Hastings-on-Hudson, Hastings-on-Hudson, NY | |
| 1991 | Lyric, Uses of Beauty at the End of the Century, curated by Bill Arning, White Columns, New York, NY |
| 1987 | M-13 Gallery, New York, NY |
| The Gallery at Hastings-on-Hudson, Hastings-on-Hudson, NY | |
| 1986 | City Without Walls, Newark, NJ |
| 1985 | Andrew Zarre Gallery, New York, NY |
| 57th Street Between A & D, Holly Solomon Gallery, New York, NY | |
| 1984 | Virginia Beach Center for the Arts, Virginia Beach, VA |
| Wolff Gallery, New York, NY | |
| Zellermayer Gallery, curated by Regina Trapp and Michael Kohn, Berlin, Germany | |
| Soho Center for Visual Artists, New York, NY |
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| 1983 | New Work, New York, Newcastle Polytechnic Art Gallery, Newcastle-upon-Tune, England |
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COLLECTIONS
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| Columbia Museum of Art, Columbia, SC | |
| Federal Reserve Bank of New York | |
| Fidelity Investments, Wilmette, IL | |
| US Department of State, Washington, DC | |
| Pfizer | |
| General Electric | |
| Barclay's Capital | |
| USAA Insurance, San Antonio, TX | |
| Deloitte and Touche, New York, NY | |
| Fidelity Investments, Wilmette, IL | |
BIBLIOGRAPHY
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| 2004 | Sarsidi, Anita, "Family Ties", Elle Décor, December/ January,p. 182. |
| 1999 | Schwabsky, Barry, "A Chain Whose Link Chose One Another", The New York Times, October 2, p. 19. |
| 1991 | Dworken, Nornie, Art News, November. |
| Lau, Jenni, "W Eye", W, June 3, p.32. | |
| 1990 | Sisto, Madallena, Casa Vogue, December. |
| 1989 | Koda, Harold, and Martin, Richard, "The Historical Mode", Rizzoli International Publications Inc., New York |
| Bernstein, Fred, Metropolitan Home, October, p. 49. | |
| Hirsh, David, "Romantic Landscapes, Iconic Objects", New York Native, July 10, p.40. | |
| 1988 | Koyana, Hajime, Otoko, April |
| 1985 | Martin, Richard, "Mythologies", Arts Magazine, September, p. 20 |
| Raynor, Vivian, "Mythologies", The New York Times, July 12. | |
| Cecil, Sara, "Review", Art News, January | |
| 1982 | Sozansky, Edward, J., "Review", Providence Journal-Bulletin, February 12. |
